Khaʾ
خHeavy, but without itbaq: the back of the tongue rises, while the middle stays lower than in ص ض ط ظ.
مِن شَرِّ ٱلْوَسْوَاسِ ٱلْخَنَّاسِ ﴿٤﴾
Seven Arabic letters are always read heavy, with a full, deep sound. Here is each one in a real ayah, the five levels of heaviness, and the three letters that change.
They are gathered in the phrase خُصَّ ضَغْطٍ قِظْ (khuṣṣa ḍaghṭin qiẓ). In tajweed they are the letters of isti'la, “rising”, because the back of the tongue rises towards the roof of the mouth when you say them.
Heavy, but without itbaq: the back of the tongue rises, while the middle stays lower than in ص ض ط ظ.
مِن شَرِّ ٱلْوَسْوَاسِ ٱلْخَنَّاسِ ﴿٤﴾
One of the four letters of itbaq: the tongue presses up against the palate, so it is among the heaviest.
ٱهْدِنَا ٱلصِّرَٰطَ ٱلْمُسْتَقِيمَ ﴿٦﴾
One of the four letters of itbaq: the tongue presses up against the palate, so it is among the heaviest.
وَٱلضُّحَىٰ ﴿١﴾
Heavy, but without itbaq: the back of the tongue rises, while the middle stays lower than in ص ض ط ظ.
وَمِن شَرِّ غَاسِقٍ إِذَا وَقَبَ ﴿٣﴾
One of the four letters of itbaq: the tongue presses up against the palate, so it is among the heaviest.
ٱلَّذِىٓ أَطْعَمَهُم مِّن جُوعٍۢ وَءَامَنَهُم مِّنْ خَوْفٍۭ ﴿٤﴾
Heavy, but without itbaq: the back of the tongue rises, while the middle stays lower than in ص ض ط ظ.
قُلْ هُوَ ٱللَّهُ أَحَدٌ ﴿١﴾
One of the four letters of itbaq: the tongue presses up against the palate, so it is among the heaviest.
إِنَّهُۥ ظَنَّ أَن لَّن يَحُورَ ﴿١٤﴾
A heavy letter is not equally heavy every time. It is fullest with a fatha before an alif and lightest with a kasrah, but it is never read light.
فَإِذَا جَآءَتِ ٱلصَّآخَّةُ ﴿٣٣﴾
ٱللَّهُ ٱلصَّمَدُ ﴿٢﴾
وَٱلضُّحَىٰ ﴿١﴾
ٱلَّذِىٓ أَطْعَمَهُم مِّن جُوعٍۢ وَءَامَنَهُم مِّنْ خَوْفٍۭ ﴿٤﴾
وَقِيلَ مَنْ ۜ رَاقٍۢ ﴿٢٧﴾
Three letters are heavy in some places and light in others.
Heavy with fatha or dammah, light with kasrah, and with sukun it follows the vowel before it. The full rules are on the tajweed rules page.
إِذَا جَآءَ نَصْرُ ٱللَّهِ وَٱلْفَتْحُ ﴿١﴾
وَفِرْعَوْنَ ذِى ٱلْأَوْتَادِ ﴿١٠﴾
Heavy after a fatha or dammah, light after a kasrah. Only the name Allah (and Allahumma) changes like this; every other lam is light.
إِذَا جَآءَ نَصْرُ ٱللَّهِ وَٱلْفَتْحُ ﴿١﴾
ٱلْحَمْدُ لِلَّهِ رَبِّ ٱلْعَٰلَمِينَ ﴿٢﴾
The alif has no weight of its own. It follows the letter before it: heavy after a heavy letter, light after a light one.
قَالُوا۟ يَٰوَيْلَنَا مَنۢ بَعَثَنَا مِن مَّرْقَدِنَا ۜ ۗ هَٰذَا مَا وَعَدَ ٱلرَّحْمَٰنُ وَصَدَقَ ٱلْمُرْسَلُونَ ﴿٥٢﴾
كَلَّا ۖ بَلْ ۜ رَانَ عَلَىٰ قُلُوبِهِم مَّا كَانُوا۟ يَكْسِبُونَ ﴿١٤﴾
Every example is cut from the Uthmani text (Tanzil) and coloured here. Press ▶ to hear the whole ayah recited by Mahmoud Khalil Al-Husary, via EveryAyah. This lesson is part of the tajweed rules.
Guide
The heavy letters in Arabic are seven: خ ص ض غ ط ق ظ. They are always pronounced with tafkhim, “making heavy”: the back of the tongue rises towards the soft palate, the mouth fills with sound, and the vowel after the letter takes on a deeper colour. Every other letter is light (tarqiq), except ra, the lam of the name Allah and alif, which change with their position.
Several heavy letters have a light partner made in nearly the same place. Mixing them up changes the word, so this is a clear mistake (lahn jali) that every reciter must avoid:
| Heavy | Light partner | Example of the difference |
|---|---|---|
| ص | س | ṣirāṭ (path) is not sirāṭ |
| ط | ت | ṭīn (clay) and tīn (figs) are different words, both in the Quran |
| ظ | ذ | ẓalla (he remained) and dhalla (he was humbled) |
| ق | ك | qalb (heart) and kalb (dog) |
| ض | د | ḍalla (went astray) and dalla (guided) |
Four of the seven, ص ض ط ظ, also have itbaq: the tongue is pressed flat against the roof of the mouth, so they are the heaviest. The other three, خ غ ق, have isti'la without itbaq.
The five levels shown above are the common teaching in the books of tajweed. Some scholars teach three levels instead (fatha, dammah, kasrah), with a sakin letter taking the level of the vowel before it. Both describe the same sound; learn from your teacher's method.
The rulings on this page are pending review by the scholars on our team.
Questions
خ ص ض غ ط ق ظ, gathered in the phrase khuṣṣa ḍaghṭin qiẓ. They are always pronounced heavy (tafkhim).
Tafkhim means making a letter heavy: raising the back of the tongue so the sound is full and deep. Its opposite is tarqiq, making it light.
Both. Ra is heavy with fatha or dammah and light with kasrah. With sukun it follows the vowel before it, with a few exceptions.
It is heavy after a fatha or dammah, as in naṣrullāh, and light after a kasrah, as in bismillāh.
Isti'la is the back of the tongue rising, in all seven heavy letters. Itbaq is the tongue pressing flat against the palate, in ص ض ط ظ only, which makes them the heaviest.